Stand-up Fighting is important in MMA
Mixed Martial Arts (MMA) is a full, contact sport which includes techniques such as striking and grappling. This sport can serve as a workout that helps improve many different areas of your body. There are different styles in mixed martial arts and the stand-up style helps improve your punching, kicking, elbowing, kneeing and footwork techniques.
Striking
A strike is an attack with a part of your body or with an object such as a weapon. Punches, kicks and headbutts are all forms of strikes. Although, headbutts are prohibited in many MMA organizations because of the amount of harm it can cause a person. Your back, hips, forearms, shoulders, wrists and fingertips can also be used for striking in some martial arts. Judo and wrestling are sports that do not employ striking.
Grappling
Grappling is controlling an opponent without the use of striking. You would use gripping and handling in order to control your opponent. There are various hold attempts such as grappling holds and choke holds.
Sprawl-and-Brawl
There are various nicknames for the different styles of mixed martial arts. The sprawl-and-brawl is a stand-up fighting method that focuses on striking and avoids ground fighting. Ground fighting is when both combatants are on the ground in hand-to-hand combat. In a sprawl-and-brawl, combatants use sprawls to defend against takedowns. The sprawl is executed by scooting your legs backwards in order to land on the upper back of your opponent undertaking the takedown. A takedown is a term used in combat sports and martial arts for a technique that off-balances your opponent and brings him or her to the ground. In a takedown, you should be the one that lands on top.
Sprawl-and-brawlers are usually boxers, kickboxers, Thai boxers and full-contact karate fighters. They are trained in wrestling and try to avoid takedowns and keep the fight standing. This style is very different from regular kickboxing styles. The sprawl-and-brawler must adjust his or her techniques to incorporate ground fighting and takedown defense.
Stand-Up Grappling (Clinching)
In stand-up grappling, two combatants start fighting from a stand-up position. The aim and purpose of this style varies depending on the combat sport or martial art you want to do. Stand-up grappling can be offensive such as it is in wrestling or Judo, but it can also be defensive as it is in Aikido.
Stand-up grappling revolves around throws and takedowns. A throw is another martial arts term for grappling where you cause your opponent to be off-balance or you lift your opponent up and toss him or her to the ground. In some sports, the fight is over once the combatant has fallen down.
For MMA, some fighters train in multiple styles with multiple coaches or train in teams. Some important parts of an MMA fighter’s training include flexibility, speed drills, strength training and energy system training.
Tags: Boxing, brawl, footwork, grappling holds, headbutts, Judo, Karate, Kickboxing, martial art, mixed martial arts, MMA, punches, sprawl, takedown, Techniques, training, workout, Wrestling
Sprawl and Brawl is the hottest thing in Mixed Martial Arts (MMA) right now. Just ask fighters like former Ultimate Fighting Championship light heavyweight champion Chuck Liddell.
A kickboxer who prefers to stand and pick his opponents apart with strikes rather than grapple either standing or on the floor, the ‘Iceman’ is one of the best no holds barred fighters in the world, and you can bet it’s because he knows how to stop the takedown.
Sprawling is an integral part of MMA fighting
Liddell may be known as a kickboxer, but not many people know that before he started training as a striker he competed for many years in both high school and college as a freestyle wrestler. Not all of us have the luxury to be able to spend that long learning the intricacies of the grappling arts.
If you’re a boxer or kickboxer who trains in mixed martial arts, you’ll know how difficult it is to stop a determined grappler from putting you on your back. Once a submission artist has you on the canvas, it can feel like you’re drowning in quicksand, with a choke or joint lock only seconds away.
For a striker, getting drawn into a grappling match is the last thing you want. Even if you’re on top of your opponent, a skilled jiu-jitsu exponent can still submit you from his guard, ending the fight and taking away the victory you wanted.
Learning how to wrestle is one answer, but it is only one answer to the anti-grappling conundrum; ‘Keep it Standing’ is another.
‘Keep it Standing’ is a revolutionary sprawl and brawl strategy, a cutting edge style of fighting that has found it’s way into cages and rings across the world. Everyone from aspiring fighters to seasoned professionals are now using this highly effective and easy-to-learn system.
The keys to staying on your feet and off the mat are simple: good footwork, clean and controlled punches and a knowledge of how grapplers think. Even though it sounds simple, learning how to resist and combat a grappler’s game plan is a subtle and complicated endeavour.
You’ll need to learn that distance is the key to preventing the takedown, and that footwork is what controls distance. Punching from a solid and stable, yet mobile base is paramount. One of the biggest errors made by strikers is over-commital, putting everything into shots that miss and allow a grappler the opportunity to take them down. If you fight with flat feet, you’re asking to be taken down.
If a grappler does get in range, then the last thing you want to do is grapple with him. Even sprawling on your opponent gives him what he wants - you’ve entered his world now, a place where your strengths are negated and his will prevail. By entering into the grappling phase you’re deviating from your strategy, and taking away your ability to knock him out.
Resisting the temptation to clinch with your opponent is another mistake made by strikers. Even if you remain on your feet, clinching with a grappler allows them the opportunity to not only take you down but to tie you up on the fence or ropes and work for position. You can’t punch somebody in the face with knockout power when you’re chest to chest.
Simply put, if you want to defend the takedown then you need to learn how to Keep it Standing. Leading mixed martial arts coach and trainer of champions Karl Tanswell understands exactly what you need to do to keep it on the feet, and his DVD breaks down exactly what you need to know.
Keeping it on the feet is what all strikers want to do. If you’re a boxer or a kickboxer who fights in mixed martial arts, or even a martial artist concerned with realistic self defence applications, then you’ll want to discover the secrets to keeping it standing.
Tags: brawl, martial art, mixed martial arts, MMA, sprawl, submission, takedown, training, ultimate fighting championship
Russian martial art training and kettlebell training involves elements of strength, flexibility and relaxation. Many would argue that speed and technique should also be included, but given that you have trained in all three of these disciplines, then speed will come naturally. Technique is immaterial: it is related to what you do, not how you do it.
Training, on the other hand, is how you do what you do. The what is irrelevant. It is the how that matters. A boxer cares not what a karate student does, but only what he himself does. A man or woman facing opponents is not concerned with what others can do, but only with they do themselves. It is not the ‘what’ but the ‘how’ that matters, and the ‘how’ is related to training, practice and knowledge.
The training of Russian martial artists is designed to improved the ‘how’. Russian martial art has no need of pre-orchestrated movements or katas as Japanese and Chinese martial arts have. Much has been written about Russian martial arts and their means of attack and self defence, a lot of which is based on the popular view of the Russian Special Forces. Most Special Forces can employ the techniques used by their Russian counterparts, but it is the Russian methods of training that make the difference.
Pavel Tsatsouline, trainer to the Russian military and then the American Special Forces and other military personnel, teaches you the secrets of the super-strong and of attaining supreme martial arts power. He does this through use of Russian kettlebells and the tension and relaxation techniques used by the Cossacks who could slice a man from shoulder to buttocks with only a light one handed sabre.
The Cossacks trained by standing in a lake or river up to their waist and then slicing into the water with their sabres for hours on end. The secret was to be in total relaxation until the moment of strike when all the power of the body was concentrated in the one blow, and then reverting to total bodily relaxation immediately after. In that way, strength and stamina were maintained while the blow itself was imparted with the maximum possible strength of the whole body.
Flexibility is the true secret behind supreme martial art power, and the one bodily attribute that is most ignored and misunderstood by the majority of martial art exponents. Russian martial art techniques make best use of supreme strength and absolute power through the understanding of how to properly relax between blows. The supreme power of a martial art punch is used through a total understanding of the levers of the body, the muscles that move them and the relaxation that allows these muscles to exert maximum power to the levers.
A powerful punch is a rapid snap with maximum power and then total relaxation until the next punch. Russians are trained in dynamic relaxation exercises in all athletic training, and the fast and loose techniques they use are ideal for the rigors of absolute mastery in martial arts.
Russian martial art training and kettlebell training is not the theatrically disciplined art of the Chinese and Japanese, but a technique designed for maximum power and effect in attack and not just self defence. The use of the power of the human body can be maximized only by developing the supreme strength possible through kettlebell exercise, and the flexibility and relaxation techniques as taught by the master of the Russian martial art, Pavel Tsatsouline, master teacher of Russian and American Special Forces personnel.
Tags: Karate, martial arts, MMA, Techniques, training
1. Exercise your ears
“The first rule to perfect your Jiu-Jitsu is to never be deaf to other people’s knowledge,” says Renzo Gracie. “It’s common to see guys who deem themselves professors decline a new teaching, ignoring a pupil who shows something new. To grow better you must understand how people think and how they got to that position. Even if it’s not perfect, it’s up to you to enhance it.” A clear example was a coup with which Gracie surprised Canadian fighter Carlos Newton in the Pride Bushido 1: “I nearly submitted him on the foot lock, in a position a white-belt had taught me. Starting from the tip I perfected and developed the leg attack, from the knee lock to the foot lock.” To Renzo, it doesn’t matter whether the student is a blue-, white-belt, or someone who’s never fought: the moment they show you something, shut your mouth and pay attention. “Even if the move is not efficient, the concept might help your play. When you don’t allow yourself to accept any other form of knowledge, you become a limited professor,” he teaches.
2. Always believe in the move
If you follow Rodrigo Minotauro’s MMA bouts, you can probably figure out his tip to make your Jiu-Jitsu better. A combative athlete, always with a surprising coup at hand, he shoots: “Fight to get a grip on your opponent.” How do you do that? Well, the Brazilian Top Team star suggests that every fighter ignores the clock and the points during the combats. This measure may result in defeats in the beginning, but on the long run it’ll leave the fighter “light and loose” (Nogueira’s definition). “There is nothing better than fighting naturally and pressure-free,” he says. “The secret is to believe He’s got to believe,” adds Wallid Ismail. Carlson Gracie’s black-belt’s advice is based on three elements: stamina, attitude and will to win. “At the time of the position or the fight, the main thing is to believe. To make the move work, you’ve got to believe it will work. And it doesn’t matter who’s on the other side, because there lies the difference between winner and loser. The winner is never intimidated. He may even fear, but he must have something greater inside – the attitude.”
3. Practice an outdoor sport
Soccer, jogging, outdoor work out – there’s always a healthy activity waiting for the athlete who takes off the gi after hours of grappling in the academy. One can then dive into a commonplace sport (surf, for instance, is practised by nine in every ten fighters) or even invent their own distraction. This strategy keeps the body in shape without making the fighter stressed from the training routine. “Every physical activity, not only Jiu-Jitsu, is useful for working out heart and mind, leading the guy to thinking that, instead of smoking a joint or using drugs, he can dedicate his time to exercise,” says Royler Gracie, who has since 1999 been climbing the Rock of Gavea, at Rio de Janeiro: “It’s a workout similar to the Macacos Hill trail at Teresopolis, which I would cross with Rickson when he was preparing for MMA fights,” he recollects.
4. Repeat the moves over and over
Leaders of victorious academies in Jiu-Jitsu and MMA, Andre Pederneiras (Nova Uniao) and Sylvio Behring (Winner-Behring) don’t fear being repetitive when they assure that the motto is to persist and persist and then persist some more when it comes to position-training. “Definitely the key is the positions. In judo, the athlete makes 1,000 takedowns on every session. It’s sad to see that in the Jiu-Jitsu milieu people think it’s a waste of time. We repeat the basic positions in the warm up about 5 times before every practice”, says Pederneiras. Master Sylvio corroborates: “Every title we conquered in the last years with Mario Reis and Fabricio Werdum were due to this philosophy: repeating the basics and go through a training fight under supervision, which is the sparring game. One of the athletes executes every type of attack, arm, triangle, and the other tries to defend from the blitz”, says Marcelo Behring’s brother, who demands 90 seconds or a series of 100 repetitions after training. “Thus the athlete reaches exhaustion and lets the movement flow naturally.” After all, as professor Jean Jacques Machado puts it, it’s better to repeat a position a thousand times, working on it for a month, than learning one a day.
The phenomenon Nino “Elvis” Schembri also agrees on the tip: “More and more I convince myself that one should pay attention to the positions, from the white all the way to the black belt. The main thing in Jiu-Jitsu, a sport in which, I believe, the most technical player gets the advantage, is to repeat the positions. Everybody does that in boxing, judo, but in Jiu-Jitsu the guys are a little lazy. Including me.” To Nino, it’s reasonable to reserve the beginning of the practice to repeating 50 positions for each side, thrice a week. “And don’t even think of giving up”, he smiles.
5. Set goals
In the nineties, when he was among the best competitors in Jiu-Jitsu, Ze Mario Sperry had a notebook where he would right the goals to be reached in training, in a given period. The black-belt used to rip the leaves and leave them on all corners of his house. “I’d go to the bathroom to shave and would find a note glued to the mirror: ‘If you want to be a champion, you’ve got one week to do this or train that’,” he recalls. Sperry explains that setting goals helps in the evaluation and control of what is being produced in the training. “The ideal is that the fighter define what he wants. Afterwards, find ways to get there, reckoning the time necessary to reach it.” For an example, the black-belt recollects the time he set the goal of getting a perfect physical condition. To achieve it, he designed a series that focused on several exercises, such as squatting, weight lifting and running-sprints. “By keeping my heart-beat accelerated with this workout, I made progress until I conditioned my body to the rhythm of the combats.” This “note pursuit” enabled the BTT master to keep focus on his career’s objectives, being sure what he had to improve in a near future.
Black-belt Vitor Shaolin warns his students about this up to this day: “You must set up your training in such a way that you define what are the two most important competitions for you to be in that year. No matter how much you try it, you can never be 100% in all tournaments,” he guarantees. “Then you must establish the rules: ‘I want to be well in the Brazilian and World championships.’ And prepare to place well only in these tournaments, not minding whatever you win or lose in the rest of the competitions. The body is not a machine and cannot remain on a level 8 or 9 all the time, be it in Jiu-Jitsu or MMA, which is the Triathlon of fighting,” the Shooto champion concludes.
6. Be dynamic
To Amaury Bitetti, Jiu-Jitsu is like chess: you only move a piece thinking of the next move. The two-time world open champion in ’96-’97 says an attacking position during the fight must always be connected to other future positions whose objective is the submission or – just to follow the comparison – the check-mate. In order to achieve that, Amaury advises that the attack-trainings should be made in a logical progression. For instance: a takedown leads to a guard-pass, which in its turn leads us to a mount, which leads to a choke. The combinations are infinite; what matters is that your game be not static. Just as in the whiskey advertisement: keep walking. Turn your Jiu-Jitsu into a motor gear.
7. You are an athlete, not a weight-lifter
Two-time world open champion 02-03, Marcio Pe de Pano strives to convince the athletes of the fact that they don’t need to look for a superathlete’s body at any cost. To the black-belt, the secret lies, above all, in training to ally technique and good conditioning. “If you train Jiu-Jitsu, you ought to work out, but not make a monstrous physical preparation,” he comments. “If you fight MMA or wrestling, you might need such a body. In Jiu-Jitsu, physical preparation is not all: one must work to become a technical and conditional athlete.” Therefore, don’t go try anything silly.
8. Strengthen your grip
The first attitude necessary to follow this hint by Vitor Shaolin is: tighten that rope well! After all, the principle behind this task is to use a thick rope tied to the academy’s ceiling in order to strengthen the fighter’s grip on the opponent’s gi. An important detail is that this exercise is good to another very important muscle for the athlete: the abdomen.
As Shaolin demonstrates, there are three ways of climbing, each of which improves a specific group of moves. In the first exercise (picture A), the athlete uses short grips to get to the top, which helps in the chokes executed with the hands near and the arms bent. As he shows, the climb can be made with the hand reversed (picture B). In the following task (picture C) he goes upwards with wider grips, ideal to strengthen a pull from the ground with a hip escape (bottom picture) or any position that demands a strong grip with the arms stretched. The detail is to keep the legs always elevated, which toughens the abs. “You go up, stop for a few seconds with the legs stretched, and then descend in the same fashion,” explains the Nova Uniao professor. “The wider grip is the hardest, so I do it only once a day, five times a week. The other one, easier, I repeat ten times a week, twice on one day, thrice on the next, then twice… Always after training, when the arms are more tired.”
9. Strive to be complete
What good is it to get an A+ in guard-passing but flunk attack-from-the-back? To stand out in Jiu-Jitsu, the fighter can’t excel at one or two moves. He must play in the eleven, as we say in football. Black-belt Saulo Ribeiro teaches a simple way of reaching versatility: “Many people despises the warm-up before practising. Well, dedicate the first 15 minutes in the academy to doing the basic: escape from the back, from the mount, and side-mount. In the next 15, practise submission from the back, the mount and the side-mount. Do this every day in your Jiu-Jitsu career. It may be boring, but it’ll make you complete. No matter what belt. I am a black-belt and still discipline myself into doing it till today. Oh, I nearly missed it. Practise judo at least twice a week. Knowing how to fight standing is also fundamental. That it my formula for becoming complete.”
10. Posture is everything
By training Jiu-Jitsu frequently, three or four times a week, our physical preparation specialist Martin Rooney’s attention was caught by a simple, though essential, tip. “It was something that changed the way I looked at workout itself: whether on the mat or with the dumb-bells, always pay attention to your posture. That is the most important, both if you are trying pass a guard or lifting tremendous weight. Without the adequate posture you don’t spare moves, you worsen the strike’s execution and augment the health hazards – or loss hazards.” In case the reader suspects on Martin for the fact that he isn’t a great BJJ star, remember that is one of the aspects Rickson Gracie stresses the most while training. So, straight neck, lined-up shoulders, firm back and off you go.
11. Learn from defeat
Many fighters absorb but negativity from losses. They get depressed, blame God and the world for the result and, sometimes, deem their careers finished. Leonardo Vieira does the exact opposite. He uses the defeats (preferably in practices, of course) to reflect on what he can do better. “I’m convinced that everybody who submits all of their opponents in the trainings is actually learning nothing,” says Leo. Like the child, who only learns how to walk by stumbling, it’s by tapping that the Jiu-Jitsu practitioner improves their art. Therefore, the Brasa black-belt advises that the masters mix athletes of different graduations in the trainings. Thus the fights aren’t too even, leaving room for adversities. Martin Rooney agrees: “The athlete who reacts with bad feelings to the defeats isn’t learning the incredible lessons that have been taught him, and that would make his chances of losing again much smaller. There’s no such thing as winning and losing, but only winning and learning,” says Renzo’s and Ricardo Cachorrao’s trainer. “Only you can your reaction and spirits to grow as an athlete. I believe the person that has been submitted the most is the toughest to beat. That’s what a tough guy is made of. That’s of a black-belt is made of,” he summarizes. Leo Vieira calls the attention to the fact that the losses out of the mats are just as fundamental to form a champion, above all in what concerns character. “When there was a dissidence at the first formation of the Alliance team and I was alone in Sao Paulo, I went through one of the most difficult moments of my life. However, I became a much stronger person and learned a lot about life. I wouldn’t be here today if I hadn’t gone through that,” he evaluates.
12. Look for the best version of the move for you
Master Osvaldo Alves says that up until the nineteen-seventies one only gave and armbar-in-guard by uncrossing and wide-opening the legs. “I realized this coup was vulnerable, for it enabled the opponent to flee and pass the guard easily. So I invented the climbing-armbar,” recalls the red-and-black-belt. As you can see on the image, this armlock version makes it a lot harder for the adversary to escape. “The thing is to not lock the opponent’s arm, but his/her shoulder,” clears up the master, who uses his own calf against the sparring’s shoulder, stopping him from getting up. Summarizing: if you don’t get along with a certain move, try to perfect it, adapt it to your physical and technical traits, always searching new versions for it. That’s what makes Jiu-Jitsu evolve continuously.
13. The best strategy is the attack
“I always try to attack. While I’m on the offensive, my opponent can think of nothing but defending, that is, I’m protected,” Marcelo Garcia teaches. As an example, the Alliance black-belt recalls the time when he didn’t know to keep an open guard. He would cross the legs on the opponent’s back and pray for the time to elapse. “I was afraid of attacking,” he evaluates. After noticing the deficiency Marcelo started uncrossing the feet and practising sweeps. He realised that, if he went right onto the adversary, he’d run a much smaller risk of being submitted than if he played defending, applying but rare counter-strikes. Garcia also realised that, by being the first to attack, he would make his opponents abandon their former plan. If he prolonged the blitz, Marcelo also prolonged this “untouchable” state. But there are those who say that repeated attacks tend to tire the athlete. “What really tires is to hold the fight back the whole time,” Marcelo argues. Notwithstanding, the black-belt gives some advice on physical preparation for those who agree that the best defense is the attack: “Climbing stairs and ramps is the best option for an amazing guard,” he reveals.
14. Don’t forget to enhance your defense
Despite liking the attacking strategy suggested by Marcelo Garcia, Rillion Gracie stresses the importance of training submission-escapes (remembering that the other guy may attack first). “Look at Roger Gracie’s performances in the last World Championship. He suffered fulminating attacks right in the beginning of the battles but was able to defend like a master to then counter-attack,” Rillion recalls. The Gracie Leblon Master says that, while practising defense, the competitor learns exactly what the opponent feels like in situations of adversity. “Learning defense improves the attack. I f the lion knows how the prey can escape, it’ll capture it in a much more precise way,” he ponders. To practise defense in Jiu-Jitsu, Rillion advises the reader into forgetting s/he is strong. “Exercise your patience. Use the weight and the force of the levers,” he explains. “Start practising defense as soon as possible, to awake just as soon the survival instinct in your fighter’s soul.”
15. Stretch!
Ever since he was a kid, Antonio Schembri has been used to stretching daily. And he never complained, unlike his opponents, whom, in time and practice, he began to submit in the most varied ways. “I’m very flexible, so I always take a strong session before and after training. Some people are stiffer, they don’t like it, but stretching is essential, especially the bottom half, legs, spine and lumbar,” says the Chute Boxe athlete. According to “Elvis,” stretching is vital even for improving the guard. “What I realize in competitions, even black-belts’, is that everybody gets along well on top, but not everyone can keep a good guard. So besides stretching, which improves the de-passing, the athlete must set up a schedule and program himself and persist in training every single variation, butterfly guard, closed guard, with inside hooks… You can’t let the guy cross the knee line, or else you’ll have to pull something out of your ass to stop the guy from passing,” Schembri teaches.
16. Develop self-knowledge
According to Fabio Gurgel, competition-Jiu-Jitsu is so leveled nowadays that the small details can make the difference in the fight’s result. Considering that you, fearless reader, have already looked after the technique and physical preparation, the Alliance general calls the attention to a “detail” that can turn you into a giant of the mats: self-knowledge. “I advise my students to talk to themselves. Self-evaluation makes the athlete know himself better, finding out his true virtues and weaknesses. He starts being conscious of his own instincts, develops self-confidence and doesn’t chiken out. Thus the athlete can design an ideal fighting plan,” Gurgel analyses, and then describes the state of mind with which one should enter the ring: “The fighter’s self-knowledge must turn the battler into something pleasant. The Jiu-Jitsu practitioner must have fun in the championships. That way, it all becomes easy.”
17. Simulate hindrances and escapes
“Back at Carlson’s academy, I always trained with partners who would attack me full-on That’s what’s bad about training in an academy where everybody wants to fight for real: you don’t get used to the opponent that hinders the fighting in the competitions,” Ricardo de la Riva points out, stressing the hard time he had developing his game against Japanese fighter Yuki Nakai in September 2004.His hint, accordingly, is to simulate fights where the opponent neither tries to pass nor to submit; to fight against a technical sparring – or one who runs away. Marcelo Garcia also has a hint for those hard situations: stretching and breathing. “The fighter has got to know how to stretch and move all of his members, besides breathing properly, for the time when he is on the bottom, being smashed and smothered by the adversary,” says the middle-weight world champion. In order to learn how to get out of the tough situations, Garcia indicates: the good thing is to practise guard with heavier mates.
18. Try!
Jean Jacques Machado likes to awake his students’ creativity. The master organizes “lab sessions” during the trainings in the academy where he teaches in Los Angeles. On these moments he shows the classroom a move, asks the students to study it and to present a defense a week later. “There are many ways to get to a goal. I like my pupils to use their creativity and find out new ways to get there,” he evaluates. In other words, Jean doesn’t make his apprentices “move repeaters.” By disseminating experimentalism in his lessons, the black-bellt gives birth to classrooms full of creative and innovating athletes. Leo Vieira likes Jacques’ methodology, but presents another way of making the students open minded: “Look at the kids fighting. Notice how they’re always laughing and jumping around. That’s how I like to fight. Children invent, use unexpected moves that, if adapted to adult Jiu-Jitsu, can be fruitful. Teaching kids is a great source of knowledge to me.”
19. Regularity, always
Also to 1999 ADCC champion Jean Machado, there’s nothing more important than regularity. Not vanishing from the academy is, therefore, essential for the athlete’s evolution – s/he must avoid substituting wasted weeks with overtraining periods. Nearly every one of the gi-superstars knows that by heart, as Pe de Pano Illustrates: “The secret is regularity: training over and over and over. Twice a day if possible. As I began late, I would make it up by going to the academy in the afternoon and at night.” According to him, training regularly leads to evolving and injury-avoiding. “For the fact that you keep training, the body gets used to the effort you make. It was after I began resuming and quitting that I began to have injuries often,” he completes. A partisan to that idea, Vitor Shaolin exemplifies: “Besides training often, you must divide the trainings, understand that there is a little something called resting. So if in the afternoon the practice is slower, take the chance to rest. If your body doesn’t react all that well in the morning but you know that in the morning the training is profitable, wake up earlier to get your body prepared. Practise more heavily at night, but don’t let it go on till too late, for you might go to bed tense, thinking of training – and end up not resting at all.”
20. Respect and reflect
Respect and dedication are utterly necessary to Ricardo de la Riva. “The idea is to arrive with an open mind and to practise with pleasure, and not to simply want to win in the training. You must respect, above all, not only the dojo and the professor, but also your practice-mate, after all you need him/her,” says the master. According to Martin Rooney, the salutation can afford great benefits that sometimes can go by unnoticed. “In all sports, athletes create rituals that push the negative energy away. However, I realise that many Jiu-Jitsu beginners ignore that fact, maybe for seeing martial arts as just a way of defending, a game of win or lose,” he says. Martin refers to the simple and traditional act of bowing. Associated for centuries to martial arts, the act should not be seen as only a demonstration of respect or a sign that the fight has begun. As the American trainer explains, the time to bow is a great opportunity to concentrate. The bow is the moment when the practice begins, so any negative thought or attitude must be left aside – or out of the academy. “A salutation at the end of the practice enables the athlete to go back to his normal life,” he says. “Develop, therefore, a strong mental connection so that your mind is activated by the bow in the beginning. Just as in any sport, if your head is not ready to practise, it’s impossible to learn anything,” Rooney concludes.
Tags: black belt, Boxing, brazilian top team, carlson gracie, combinations, escapes, foot lock, Gracie, Judo, knee lock, Leo Vieira, Leonardo Vieira, martial arts, Martin Rooney, MMA, Nova Uniao, pride bushido, renzo gracie, Ricardo Cachorrao, submission, takedown, training, wallid ismail, Wrestling
